Hi All,
I'm sorry this took me so long to put out. Just the usual, got busy/distracted etc. What I want to do today is continue our discussion of camera settings and using backdrops with your figure. For this experiment I used regular pieces of 8.5" x 11" paper (Letter size in the States) as it is the kind of thing most of us have on hand. I just used some cheap 20Lb. (75g/m.sq.) For the white background. Some Parchment colored specialty paper that I used to use for printing out belt rank certificates and then 110Lb. (198.9g/m.sq.) card stock to print out some backgrounds I downloaded.
Camera and Settings
I chose to use my Nikon D5100 for this experiment. The things that remained constant were 18-55mm lens set at 55mm, Auto focus mode, VR stabilization on, A (Aperture Priority) Setting f16, Remote shutter control, on a tripod.
Backgrounds Used
As mentioned above I used Plain White paper (Brightness 92), Parchment (not actual animal hide, but paper) and the Backgrounds from
Wirelizard and
Massive Voodoo. In fact it was at Massive Voodoo that I found another guide to photography that I, somehow, hadn't seen before. It seems that I could have saved myself a lot of work and just linked you guys to this series.
Part 1,
part 2. It looks like part 3, on post processing was never done, or at least I can't find it. Anyway more advice from some guys who appear to know their shit (as the saying goes). Perhaps a little contradictory of my findings in places, but interesting none the less.
Figures used
I mainly used our old friend Nar. For the white background I also used Mr. Ouch, a Bretonnian man at arms I painted up for the challenge. I wish I had figures with a little more technique on them to show you, but I shipped those off to Curt. Let's pretend that the figures are world class painted and full of stunning detail. This experiment is more about the effects of the backgrounds on the image. To a lesser extent it is also about the camera settings.
Enough yakking, on to the pictures.
 |
| HTC One X, WB: Incandescent, EV+1 |
Just a shot from the cellphone to detail the setup. Similar as the last time but with a smaller piece of paper. One issue to be aware of is getting the paper to curve but also allow the miniature to sit flat. I did this with mixed success. I chose the incandescent White Balance setting as the Fluorescent looked way to yellow to me.
First experiment: Setting the White balance.
 |
| All the same white piece of paper for background. |
On the left and the middle the WB setting was Cool Fluorescent. The only difference was that the flash went off on the picture on the left. On the right I changed the WB to Incandescent. I think it looks much better. I sort of feel like Auto WB may be sufficient for me. One thing that jumps out at me is that these all seem way too dark. My usual complaint with figures photoed on a white background. So I will show how the Exposure Value (EV) setting will help with that.
Second: Exposure Value Test
 |
| EV 0, +1, +1.3, +1.7, +2.0 |
The EV 0 picture is the same as the one above from the white balance test. I then stepped it up incrementally, skipping 0.3 and 0.7, to show the effect. I ended up choosing +1.7 as the EV I would use. I think it's a judgement call.
Third: Comparison with brighter colors.
 |
| Again EV 0, +1, +1.3, +1.7, +2.0 |
I just wanted to see what something with a little brighter color might look like. I probably should have spent a little more time on the composition, as the shadows are bugging me. Again +1.7 looks pretty good although +2.0 could work too.
Fourth: Tan backgrounds
 |
| White Paper, Parchment, Wirelizard Tan Gradient |
All form now on are shot with the same settings. The EV has been left at +1.7. I'm not sure which is best, but I'm leaning towards the one on the right.
Fifth: Blues
 |
| Wirelizard Sea Blue, Blue and Blue Grey |
Just to see what effect the color has. For this figure I think the Sea Blue doesn't work at all. For me it's a toss up between the Blue and the Blue Grey.
Sixth: Greys
 |
| Wirelizard Light Grey, Grey, Dark Grey, Black to Grey |
I was beginning to have some issues positioning the figure back in the same spot on these. Maybe i did before but I didn't notice. I'm leaning towards the darker shades.
Seventh: Massive Voodoo Backgrounds
 |
| Massive Voodoo Warm: Bright, Medium, Dark |
 |
| Massive Voodoo Neutral: Bright, Medium, Dark |
 |
| Massive Voodoo Cold: Bright, Medium, Dark |
I put the "bright" spot on all of these beneath the miniature. I tend to like the Dark version for Warm and Neutral, while I like the Medium for the Cold backdrop for this figure.
I also played around with putting the "bright" spot behind the figure.
 |
| Massive Voodoo Warm Bright Background upside down. |
I thought it worked about as well as the gradient backgrounds had.
Final Note: Post processing.
On all of these pictures I scaled the original down to 20% of its full size and stitched them together. The resolution was reduced from the native 300dpi to 72dpi to help display them on the web a little easier. The last photo was reduced to 20%, but left at 300dpi.
So, what do you think? Have I exhausted this topic for you? Are you keen to look into more staged/ diorama type shots? Post processing, interviews with other hobbyists who take good pictures? There is always more I could do, but I don't want to bore you or fill your head with so much info that you are worse off than before. Goodbye for now.